Category Archives: TV/movie
I’m trying to kick off “El Verano de Español” (Spanish Summer) a little early this year and yesterday I made a very concentrated effort to stick to Spanish with the boys.
I’m not sure what happened this year. At one point I was in the habit of speaking Spanish with the kids the majority of the day, then one day I realized I was speaking a lot of English to them and had been for some time. Each night I went to bed feeling guilty, promising I’d go cold turkey the next day but I’d wake up exhausted and forcing my brain to stay in Spanish was like trying to baptize a cat.
Anyway, Friday I managed to speak to the boys in mostly Spanish and they even responded to me in Spanish several times. To keep the momentum going, after dinner I decided we’d watch a movie in Spanish together, having recently discovered a bunch of bootleg DVDs from El Salvador I had forgotten we own. (To be very clear: We didn’t purchase these DVDs and haven’t even watched them – they were sent as gifts from one of Carlos’ tíos many years ago.)
My younger son popped some popcorn and I put the DVD for Madagascar in. Here’s a little video I made about the surprises that awaited us. (And as hilarious as this was to me, let this be a word of warning for anyone buying bootleg DVDs for their kids in El Salvador… They aren’t exactly rated G! This may be a good reason to buy the real thing.)
Ah yes… Spanish Summer is off to an excellent start.
Today is Spanish Friday so this post is in Spanish. If you participated in Spanish Friday on your own blog, leave your link in comments. Scroll down for English translation!
A veces veo una película o un documental, que me deja sin palabras – Aquí y Allá es una de ellas. Es difícil decir lo que pienso o siento por esta película. Es devastador, inquietantemente bella, me dolía el alma. Siendo muy honesta, la noche que vi la película, yo lloré hasta que me quede dormida, pensando en ella.
Aquí y Allá es parte ficción, parte realidad. Es la historia de inmigración contada desde el otro lado, cuando un mexicano regresa a México, a su familia. Pedro de los Santos, la estrella de la película, interpreta a sí mismo, y muchas de las cosas que le pasaron a él, fueron reales. La mujer que interpreta a su esposa, es en realidad su esposa. La música que canta, es música que él escribió. (Y aparte de la película, su música, su voz, son realmente muy hermosas.)
Siento que mis palabras no pueden hacer justicia a esta película. Sólo mírala, si tienes la oportunidad. (Averigüe dónde puede verla aquí.)
Sometimes I see a film or a documentary that leaves me without words – Aquí y Allá is one of them. It’s hard to say what I think or feel about this film. It’s devastating, hauntingly beautiful, it hurt my soul. To be perfectly honest, I cried myself to sleep thinking of the film the night that I saw it.
Aquí y Allá is part fiction, part reality. It’s the immigration story told from the other side, when a Mexican returns to Mexico, to his family. Pedro de los Santos, the star of the movie, plays himself, and many of the things that happen to him, happened for real. The woman who plays his wife, is actually his wife. The music he sings, is music that he wrote. (And apart from the film, his music, his voice, are really very beautiful.)
I feel that my words can not do justice to this film. Just watch it, if you get the chance. (Find out where you can see it here.)
The Boston marathon bombings – I didn’t think I would be writing about this, but here I am. Like most of you, I’ve been watching way too much TV, reading too many articles on the internet, and when torn away from those, listening to the radio in my car. Like most of you, I’ve had a lot of feelings the past few days on many different angles of this tragedy.
Tonight, the second suspect has been captured and it’s “over” … and yet it isn’t. I hear my fellow Americans chanting, “USA! USA! USA!” … and it seems somehow inappropriate. I understand relief. I understand pride in our first responders. I understand feeling some sense of justice or closure – but the all-out celebration, taking to the streets like revelers on New Year’s Eve? I can’t connect with it.
Those who died, are still dead; those who are mourning, are still mourning; those who are injured, are still injured. Those innocent people who were mistakenly caught up in the investigation, are still dealing with the resulting emotional damage. The young suspect in custody, if he survives, will face a long trial, all of which we will once again watch as if it’s some sort of sick reality show/telenovela hybrid.
After everything is said and done, we are left with scars – and some of those scars were inflicted on our society by the media, by irresponsible journalists. The use of racial profiling and the xenophobic language exhibited by journalists of networks I once respected, has disgusted me. It’s as if the journalists salivated at the idea that the suspects might be Muslim, as if that explains everything, when that fact alone explains nothing. That is why I’m writing this – It’s why I created a video – because at first, I couldn’t find words.
Maybe you’re not Muslim – most people who read my blog are not. Maybe you’re saying, “What does this have to do with me?” – Believe me, it has everything to do with all of us. The sentiments stirred up by the media, intentionally or unintentionally, are not only anti-Muslim, they are anti-”foreigner”, anti-brown person, anti-accent, anti-bilingualism, anti-immigrant. They are sentiments that divide and quite frankly, we’re better than this as a people, as a nation, and we deserve better than this from our news agencies.
If you agree with me, please consider sharing this video far and wide.
When I first saw the trailer for The Girl, I knew immediately that I wanted to see the film – and then I found out that it opens on March 8th in New York and on March 15th in Los Angeles, (two locations I’m nowhere near.) Thankfully I not only got the opportunity to screen the film online, but to interview the director, David Riker.
I think you’ll be able to sense how much I loved this film from my interview questions (below), but if it isn’t clear enough, I’ll tell you – I loved it and recommend that anyone who is able to see it – go see it. I’ve watched a lot of films with immigration and border themes – this one is different thanks to the fact that it’s told through the eyes of a gringa who is already struggling with her own issues. The Girl will make you think, and then think twice about border issues and what defines a good life.
From David Riker, the director of La Ciudad, and Paul Mezey, the producer of Oscar-nominated films Maria Full of Grace and Beasts of the Southern Wild, comes a new film The Girl.
Abbie Cornish plays Ashley, a young single mom struggling with the loss of her child to Social Services, unwilling to accept the consequences of her actions and trapped in the quicksand of her south Texas life.
When Ashley’s path collides with Rosa (Maritza Santiago Hernandez), a strong-minded girl who has lost her mother while crossing the Rio Grande, she unwittingly begins a journey that will change her life forever.
Starting in a big box store in Texas and ending in a small village in southern Mexico, The Girl turns the immigrant story upside down, questioning the myth of the American Dream and asks that we consider the possibility of a better life – south of the border.
Interview with Director, David Riker
Latinaish: I understand you also wrote the script for this film? What was your inspiration?
DR: My inspiration to write the script has its roots in my debut feature, called ‘La Ciudad’ which was filmed over the course of five years in New York’s Latin American immigrant community. Listening to so many stories of sacrifice in crossing the border, I decided to travel there and see with my own eyes. What I saw was deeply upsetting, but also surprising, and after traveling back and forth through the borderlands I came to realize that my own preconceptions of the border were false — as is the central myth that hope is in the north. That realization led me to consider a story in which the logic of the border were turned upside down — and to ask the question, what might happen if an Anglo crossed the border — south.
Latinaish: The cinematography of this film was really breathtaking, particularly scenes that took place in Oaxaca, Mexico. Was this shot on location? Can you tell us about that?
DR: Yes, almost all of the film was shot in Mexico, but due to the violence in Tamaulipas (including Nuevo Laredo) we were not able to film along the border. This was a major creative setback as I had spent several years developing close relationships with people in the border city and had every location scouted. In the end we filmed all of the Mexico portion of the story in the state of Oaxaca — much of it in the Istmo, though some in the capital, in addition to the village at the end which is in the Sierra Norte. ‘Re-creating the border’ became the central creative challenge we faced, affecting every department from production design, casting, and wardrobe. The cinematographer is one of the stars of Mexico’s new generation, known for his lyrical work in El Violin.
Latinaish: Which scene was most difficult to capture, either emotionally or physically, and why? What challenges did you face on set?
DR: The most difficult scene… An interesting question. From an emotional standpoint, without a doubt the scene when Rosa realizes her mother has died. From a logistical standpoint, perhaps the nighttime river crossing which I intentionally wanted to film as a baptismal event. Every scene is a challenge, and every challenge is different. More than anything you are battling the lack of time and limited resources, and desperately fighting against compromise. But the Mexican crew and the actors were like a family and we all fought the battle each day together.
Latinaish: I love that the “gringa” in this film, “Ashley”, played by actress Abbie Cornish, spoke Spanish so much of the time, but there was no explanation in the plot as to how the character learned to speak it so well – Can we assume she learned it just by living in southern Texas or from her co-workers? Did the actress, Abbie, already speak Spanish before the film?
DR: You are right, Ashley’s character was a composite of many people I’ve known, and a number of characters I met along the borderlands. Ashley speaks spanish because she has grown up in a Spanish-speaking world in South Texas. But Abbie Cornish didn’t speak a word. I think it’s a great testament to Abbie’s talent and force of character that she was undaunted by the challenge and threw herself into it with total commitment. As she said the first day we met to talk about the project, she didn’t simply want to learn her Spanish dialogues by heart, she wanted to understand the language.
Latinaish: The character “Rosa” played by Maritza Santiago Hernández had a fantastically stubborn personality in the film and I really fell in love with her. Was this her first film? Are there any other projects we can look for her in any time soon?
DR: I too fell in love with Maritza. She is an amazing girl, and yes, this is her first film role. I spent a great deal of time ‘searching for Rosa’ and saw thousands of young girls in communities all over Oaxaca. The casting took more than a year of full time work. I was not looking for a girl who could ‘play’ Rosa — I was looking for Rosa. And when I finally found Maritza I knew I had found her. She needed to be small but very strong, or tough or as you put it ‘stubborn.’ She needed to be full of life and light, but also depth. She needed to be naughty but also thoughtful. And of course she needed to have the indigenous features of the zapotec people in Oaxaca. After the film’s Mexico premiere at the Morelia Film Festival many journalists asked if she wanted to have an acting career. Her answer: ‘first she’ll finish school and become a teacher.’
Latinaish: What do you hope to accomplish with this film? What do you want the audience to take away?
I appreciate the question, as hope is the thing that sustains every storyteller. I hope that the film helps to generate dialogue about what it means to be an American, what it means to be an immigrant today, uprooted and far from home. I hope it helps to re-frame these questions in such a way that real understanding can begin — not through the limited lens of political debate – but in the broadest sense — what is our common humanity? What is it that divides us, and what do we share in common? Of course I know that it is after all only a film, so the goal must be modest. If people enjoy the story, are happy to meet young Maritza and to travel the journey with Ashley, I’m already a happy man.
Today is Spanish Friday so this post is in Spanish. If you participated in Spanish Friday on your own blog, leave your link in comments. English translation is in italics!
¿Te gustan las películas clasicas mexicanas? Aquí están algunas de mis escenas favoritas. ¿Cuáles son tus favoritas?
Do you like classic Mexican movies? Here are some of my favorite scenes. Which are your favorites?
Poker de Reinas – Corazón de Melón
Pedro Infante – Escuela de Vagabundos – Cucurrucucú Paloma
Pedro Infante – Carta a Eufemia
A Toda Máquina – Gringuita – Pedro Infante y Luis Aguilar
Los Tres Garcias – Pedro Infante
Los Tres Garcias – Pedro Infante, Abel Salazar, Víctor Manuel Mendoza, Sara García & Marga López
Jorge Negrete – Huapango Ranchero
Cantinflas – Por Mis Pistolas
I’m on the sofa watching TV with the family; Carlos has been changing the channels between a Manchester United game, bullfighting and a Jackie Chan movie translated to Spanish, (La Leyenda del Maestro Borrachón.) Somewhere in between all that I caught a Kentucky Fried Chicken commercial en español which was so hilarious that I had to drop in here and share it.
Kudos to the people who came up with this commercial – Me encanta!
Disclosure: This is not a sponsored or paid post and I do not necessarily endorse KFC – I just like this commercial.
Do you know the Latin American folktale (or is it true?) called La Llorona? (The Weeping Woman.)
For those not familiar, here is the story of La Llorona.
Although several variations exist, the basic story tells of a beautiful woman by the name of Maria killing her children by drowning them in order to be with the man that she loved. The man would not have her, which devastated her. She would not take no for an answer, so he slit her throat and threw her body in a lake in Mexico. Challenged at the gates of heaven as to the whereabouts of her children, she is not permitted to enter the afterlife until she has found them. Maria is forced to wander the Earth for all eternity, searching in vain for her drowned offspring, with her constant weeping giving her the name “La Llorona”.
In some versions of this tale and legend, La Llorona will kidnap wandering children who resemble her missing children, or children who disobey their parents. People who claim to have seen her say she appears at night or in the late evenings from rivers or oceans in Mexico. Some believe that those who hear the wails of La Llorona are marked for death, similar to the Gaelic banshee legend. She is said to cry “Ay, mis hijos!” which translates to “Oh, my children!
Function of the story in society
Typically, the legend serves as a cautionary tale on several levels. Parents will warn their children that bad behavior will cause La Llorona to abduct them, and that being outside after dark will result in her visitation. The tale also warns young women not to be enticed by status, wealth, material goods, or by men who make declarations of love or lavish promises.
- Source: Wikipedia.
Well, this Friday’s episode of Grimm is about La Llorona. The show Grimm is an American TV drama series which is described as “a cop drama—with a twist… a dark and fantastical project about a world in which characters inspired by Grimms’ Fairy Tales exist.”
This clip features Grimm stars Bitsie Tulloch (Juliette Silverton), David Giuntoli (Nick Burkhardt), Russell Hornsby (Hank Griffin.) Guests cast in this episode include Bertila Damas as “Pilar” and David Barrera as “Luis Alvarez.”
Kate del Castillo (of “La Reina del Sur” fame), is also in this episode!
Grimm airs Fridays at 9 pm ET on NBC. This particular episode will air on NBC on Friday, October 26th at 9 pm ET. There will also be special airings, in Spanish on Telemundo at 11:35 pm ET on October 29th and in English on mun2 at 1 am ET on Saturday, October 27th.
Honestly, I don’t know if I’ll watch because this kind of stuff freaks me out. I will probably have a week’s worth of pesadillas just from watching these videos here. Do you think you’ll tune in?
PBS is celebrating Hispanic Heritage Month from September 15th to October 15th with some programming you might want to go mark on your calendar!
Title: EL VELADOR (The Night Watchman)
Date: September 27th 2012 / 10:00-11:00 PM ET
Description: “Stand guard with Martin, who watches over the extravagant mausoleums of notorious Mexican drug lords.”
Title: HAVANA, HAVANA!
Date: July 27th 2012 / 9:00-10:00 PM ET
Description: “Tap your toes to the beat of this music documentary, which vibrates with the soul and energy of African-Cuban drummers, guajira guitarists and the pulsing melodies of celebrated Cuban musician Raul Paz, who brings together fellow musical stars Descemer Bueno, Kelvis Ochoa and David Torrens for a concert in Havana…”
Title: BIBLIOBURRO: The Donkey Library
Date: Check local listings
Description: “A decade ago, Colombian grade-school teacher Luis Soriano was inspired to spend his weekends bringing a modest collection of precious books, via two hard-working donkeys, to the children of Magdalena Province’s poor and violence-ridden interior. As Soriano braves armed bands, drug traffickers, snakes and heat, his library on hooves carries an inspirational message about education and a better future for Colombia.”
TALES OF MASKED MEN
Date: September 28th 2012 / 10:00-11:00 PM ET
Description: “…the fascinating, mysterious world of lucha libre and its role in Latino communities in the United States, Mexico and Latin America…”
Other programming to check your local listings for:
NOT IN OUR TOWN: LIGHT IN THE DARKNESS
Description: “Witness the efforts of villagers to confront anti-immigrant bias and repair the fabric of community life.”
Description: “Spend a year in the life of the champion mariachi ensemble at Zapata High School in South Texas.”
Today is Spanish Friday so this post is in Spanish. If you participated in Spanish Friday on your own blog, leave your link in comments. English translation is below!
Carlos: Ahora así trabajo yo, como los Picapiedras.
Tracy: Eres Fred Picapiedra.
Carlos: No, Pedro.
Tracy: Cambiaron el nombre a Pedro?
Tracy: Y el nombre de su amigo, no es Barney en español?
Carlos: No, él se llama Pablo.
Tracy: Fred and Barney son Pedro y Pablo?
Tracy: Qué raro… y supongo que la niña se llama Piedritas, verdad?
Carlos: No, ella todavia se llama Pebbles.
Carlos: That’s how I work now, like los Picapiedras*.
Tracy: You’re Fred Flintstone.
Carlos: No, Pedro.
Tracy: They changed his name to Pedro?
Tracy: And the name of his friend, it’s not Barney in Spanish?
Carlos: No, his name is Pablo.
Tracy: Fred and Barney are Pedro and Pablo?
Tracy: That’s weird… and I guess the little girl’s name is Piedritas*, right?
Carlos: No, she’s still called Pebbles.
*los Picapiedreas is the name of The Flintstones in Latin America.
*Piedritas means “little rocks/stones” or “pebbles.”
Bonus Vídeo Relacionado / Related Bonus Video
Months ago while watching videos on YouTube I stumbled onto a TV Show called “Fin de Semana.”
Fin de Semana was a long running variety show in El Salvador similar to Sabado Gigante with a host by the name of Willie Maldonado. I asked Carlos if he remembered the show and he said he remembered someone named “Don Cuatro.”
I searched all over the internet and couldn’t find anything about Don Cuatro, and Carlos has only a vague memory. He says that the way he remembers it is like this:
Don Cuatro was a mystery character that they never showed on screen. At some point during the show they would say “Don Cuatro is in such-and-such neighborhood” and they would give viewers a code phrase that they were to say to Don Cuatro while shaking his hand to get him to reveal himself. People who lived in that neighborhood would rush outside and start going around trying to find Don Cuatro by shaking other people’s hands and saying the code phrase. Whoever found Don Cuatro would win money and be brought on the show.
I don’t know why, but this struck me as hilarious. Does anyone remember Don Cuatro? Has Carlos remembered it correctly?